FACELESS AFTER DARK screened on Friday 6th October as part of Grimmfest 2023, with director Raymond Wood in attendance – look out for my interview with Raymond, appearing on this site any day now!
Over to you Vicky..
“Directed by Raymond Wood and written/produced by starring actor Jenna Kanell, ‘Faceless After Dark’ is an incredibly twisty and psychological ride. Without spoiling and trying to keep the plot of this under wraps, this film is unlike what you might’ve seen before; initially starting as a home-invasion thriller, it evolves into a female revenge fantasy flick that coincides with the main character’s personal development.
Revolving round the story of Bowie (Kanell), a struggling actor whose work has dried up since their iconic killer clown flick. They now have to rely on the income from Cameo’s, autographs and convention appearances, where they repeat their notable slogan every single time. Compared to their girlfriend, who has been signed to a big Hollywood film, and their best friend, who’s father helps fund their filmmaking dreams, Bowie seems to be battling for recognition and more work in the industry. When one of Bowie’s deranged fans embarks on an unsuccessful invasion of their home, things take a huge turn for the rest of the film and for Bowie. Any more details about ‘Faceless After Dark’ would surely ruin the plot, so you will have to watch it and find out for yourself.
There are several interesting topics that ‘Faceless After Dark’ focusses on throughout, those surrounding actors, fans, online toxicity and the film industry as a whole. With the current social situation with the SAG-AFRA strikes, there is a clear mirroring in the film. With the narrative depicting actors being subjected to minimal merch cuts, licensing regarding likeness and lack of recognition. On top of this we see the huge amount of toxicity and inappropriateness of overly obsessed fans and their treatment of these actors, especially those who are femme-presenting/indentifying. It highlights the issues of over-sexualisation of femme characters in films, and how these actors become subjected to them through social media, with worries of the possibility of malicious actions. With all this in mind, mental health is also touched on and how there is a lack of support for small, indie actors in the industry – how they have so much put on them before, during and after filming, for them to be left to struggle on their own; something that is a huge issue in the industry. It is clear that Kanell has drawn on a lot of their own personal experiences in Hollywood, along with their friends/associates.
Ultimately ‘Faceless After Dark’ is an incredible exploration of toxic fandoms, indie artist struggles and mental health; with a dark psychological narrative and ‘good-for-them’ moments to satisfy the female revenge fantasy. Kanell gives a fantastic performance that really hits home and shows how Bowie transforms into something quite dark. Visually this film is stunning, the lightning colours give an almost Argento-esque feel throughout. I would class ‘Faceless After Dark’ as a great and different addition to the monstrous feminine catalogue, with it having moments that ring true to that genre. Even though it only touches on the topic of toxic fandoms briefly and doesn’t really add anything new to the conversation with that, it does confront the deeply ingrained misogyny that femme-presenting performers face when in the public eye. A fantastic film, with incredible acting, cinematography and narrative throughout.”
Vicky Lawrence is a passionate horror film fanatic who especially loves attending and helping out at events within the horror community. She has had opportunities to review films like Robert Englund’s documentary ‘Hollywood Dreams and Nightmares’, putting her horror knowledge on display. With her deep involvement in the horror scene and sharp critical eye, Vicky brings a unique perspective on the genre. Her enthusiasm for horror shines through when she discusses gory effects or analyzes new films. Vicky is a horror expert fans should follow to stay on top of the latest and greatest scary movies. Between her experiences, connections, and sharp critiques, she offers great insight into the world of horror cinema.